Mario Breskic : Social Wall

Meine Social‑Media‑Beiträge – offen und ohne Anmeldung

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  • August 08, 2025 at 04:03PM

    Aug. 8, 2025

    –

    von

    ASCA
    in Twitter

    Finally replaced my black F and EF Lamy nibs with new silver ones (the defaults): ink flows, tines are aligned, Rio is happy

    #asca

    Quelle: Twitter

  • August 07, 2025 at 08:03AM

    Aug. 7, 2025

    –

    von

    ASCA
    in Twitter

    Whatever you need, as long as you build

    #asca

    Quelle: Twitter

  • August 04, 2025 at 07:32AM

    Aug. 4, 2025

    –

    von

    ASCA
    in Twitter

    Out of office for vacation.

    #asca

    Quelle: Twitter

  • August 02, 2025 at 09:07PM

    Aug. 2, 2025

    –

    von

    ASCA
    in Twitter

    The absurdity of marketing yourself is this: you ignore that you could do your work for the people you know, people around you, because you hope you will turn strangers into people you know, people around you, who you could do your work for. #asca https://x.com/MarioBreskic/status/1951721185974325389

    Quelle: Twitter

  • August 01, 2025 at 11:37AM

    Aug. 1, 2025

    –

    von

    ASCA
    in Twitter

    Ich kann mich nich sattsehen: https://www.youtube.com/watch?v=ht2oscS9Rpg&feature=youtu.be

    #asca

    Quelle: Twitter

  • July 30, 2025 at 09:38PM

    Juli 30, 2025

    –

    von

    ASCA
    in Tumblr

    I’d rather read Goethe and Schiller

    I’d rather read Goethe and Schiller because I am very German, but a few updates are in order.

    I have worked with ChatGPT to finally crack programmatically using the Adobe line of software, and so far I have a few successes here and there, to which I will return later in this post.

    I put together a small set of scripts on Github, if you are into that.

    Then I have spent a lot of time working on my personal website’s layout and display, but that is still very much a work in progress right now, because I just started scratching away at ARIA, and thinking about my website as a useful interface for content. I actually immensely enjoy the serif I use for body text, it is the Cormorant Garamond, by CatharsisFonts, and you can find that here.

    I am still doing quite a few adjustments on my website, nudging it closer to the ebook sweet spot. I think you can see the influence Apple Books has had on a few decisions here and there.

    There is a dark version in the works, too. I was already experimenting with that.

    What else?

    The informational bot service called Grafikdesignfeed (on Bluesky, Mastodon, Threads, and on Twitter) has been improved further over the last two weeks: more feed sources, better curation, a lot of huginn intergration and logic wrangling before it all gets sent to buffer to be syndicated to various platforms.

    There was a lot of optimization potential there, which I am now glad I figured out. Thanks to ChatGPT again, I was able to work backwords from the results I aimed for and design the fastest and most efficient path to get this project there.

    Rebuilt the permalink structures for my website and my social wall as well. worked with solid redirects, so that absolutely nobody gets lost in the translation from structure to structure: I am forcing usablility and accessibility into these online projects as hard as I can, and the new permalinks work because of that, I’d like to think.

    Also, there was type experiments going on this week and last week. I was channeling my own graphic design nerd and went to town.

    Equipped with ChatGPT, I pulled out BlackInk and built my very first pixel shader brush.

    And it is a just so much fun to use it with a pressure sensitive pen!

    https://socialwall.mariobreskic.de/wp-content/uploads/2025/07/Bildschirmaufnahme-2025-07-15-083047.mp4

    https://socialwall.mariobreskic.de/wp-content/uploads/2025/07/crt-shader-brush-cara-demo.mp4

    I even uploaded one demo to my Youtube account, which I never use for anything.

    And I put the code for the brush everywhere: on my cara.app account, in the description of the video on Youtube, even put together a page to store these experiments on my website, so that people can always refer back to that, and use these things themselves. For inspiration. For whatever.

    Even linked that and the other thing, a small calculator for lines per page, on that page, and on my bento.me

    I figured that using that to link to these projects makes sense if I want to post something, say, on Instagram and instead of having the hassle of trying to use links there, I can just say to go to my bento.me and click on the box which matches the post.

    Which I did.

    Called the page the toolbox, and well, it is. Will need to update it with the next thing. The bento.me page, the other project is already on my toolbox page.

    I think I am missing something, but this is my after hours blog: polish is not what I do here.

    And this brings me to the final part for today: using ExtendScript to take glyphs from five typefaces I chose for being different from each other, channeled my understanding of David Carson’s print work into it, and went exploring.

    Pictures say more than words.

    https://socialwall.mariobreskic.de/wp-content/uploads/2025/07/2025-07-29-14-08-19.mp4
    https://socialwall.mariobreskic.de/wp-content/uploads/2025/07/2025-07-29-13-50-30.mp4

    So I did this: put together several versions of an ExtendScript to talk to Illustrator programmatically, to glitch the word “frakt” (which is my server’s name, I have christened him that recently), then I sorted through all these outlines and forms, printed my favorites, and scanned the printouts, glitching the word by moving the scanner, sort of making brush strokes. And then sorted through these scans. Below are my favorites from this fun afternoon spent in flow.

    I teased most of these on my instagram stories, because that is how I treat those: as a behind the scenes, teaser type of thing.

    See you next time. Man, those are a lot of hashtags. Well, I did say I wanted to be embedded into the culture inside graphic design, so forget about marketing, choom.

    That last one is actually a photograph shot with a macro, because look at those subpixel edges !

    Quelle: Code & Canvas

  • July 30, 2025 at 08:08PM

    Juli 30, 2025

    –

    von

    ASCA
    in Mastodon

    hey @linkwarden I made a short script which takes all the links inside a wordpress article upon publishing and stores them in a linkwarden collection, see the link upstream #buildinpublic #asca

    Quelle: Mastodon

  • July 30, 2025 at 05:46PM

    Juli 30, 2025

    –

    von

    ASCA
    in Mastodon

    Habe einen funktionsfähigen Prototypen erstellt, der #WordPress‑Posts beim Veröffentlichen nach Links durchsucht und diese dann in #Linkwarden speichert.
    Die dort gespeicherten Links haben den Titel des Posts als tag. #asca
    Damit werden die Links aber auch bei archive.org gespeichert

    Den Schnippsel zum Hinzufügen ans Ende der functions.php findest du hier:
    https://www.mariobreskic.de/toolbox/#wordpress-artikel-links-in-linkwarden-speichern

    Quelle: Mastodon

  • July 29, 2025 at 05:32PM

    Juli 29, 2025

    –

    von

    ASCA
    in Tumblr

    Teaser for an upcoming post.

    frakt is what I’ve called my server.

    Quelle: Code & Canvas

  • July 29, 2025 at 04:08PM

    Juli 29, 2025

    –

    von

    ASCA
    in Twitter

    Schrift glitchen, dann ausdrucken, dann mit einem Scanner von Hand glitchen, dann von einem Bildschirm abfotografieren

    #asca

    Quelle: Twitter

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Über ASCA

Mein Akronym ASCA steht für „Automated Social Content Archiver“, und ich bin ein sogenannter Low‑Code‑Bot. Mit Hilfe von IFTTT und WordPress speichere und veröffentliche ich Social‑Media‑Posts selbstständig und fortlaufend und füge auch Hashtags hinzu. Mario Breskic hat mich gebaut und mein Geburtstag ist der 24. August 2024 🙂︎

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Mario Breskic : Social Wall

Meine Social‑Media‑Beiträge – offen und ohne Anmeldung

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