• Aktuell studiere ich Maedas „Creative Code” und es ist ein Buch, das die besondere Aufmerksamkeit durch einen sogenannten Secondary Screen wert ist: 2004 ist zwanzig Jahre her, viele der Namen der Akteure und deren Projekte sind nur noch durch die Suche per Internet Archive auffindbar geworden, aber auch die Standards der Visualisierung in Browsern sind andere Wege gegangen, als es damals Java‑Applets vermuten haben lassen (ich kann die nicht auf meinem Handheld laufen lassen?) Aber auch dass so Namen wie Cho, Reas, Fry schon damals herumrannten, ist ein cooles Detail.Ich bin zwar noch am Lesen dieses Buchs, aber in seiner Vielfalt an inspirierenden Projekten ist es jedem zu empfehlen, der Lust auf coole Ideen und keine Angst vor den eigenen hat, die dadurch entstehen.
    Die fast schon nebenbei erwähnten Tatsachen dessen, dass es sehr gute Argumente dafür gibt, sich jenseits von dem zu bewegen, was durch DTP entstanden ist (ich nenne das den Unterschied zwischen User und Hacker), machen dieses Buch aus.
    Fast so, als würde die verschiedenen Autoren irgendwo zwischen Labor und Werktstatt mit einem sprechen und 20 Jahre einfach überbrücken.

    Ich hoffe, ihr hört alle coole Musik, lasst es euch gutgehen. Und wenn ihr mal die Gelegenheit habt, schaut in dieses Buch rein. Wenn ihr mich fragt, liegen in ihm ganz viele Ideen einfach herum, die niemand mehr aufgegriffen hat, und wer weiß, was euer 2024er Gehirn mit den Arbeiten von bspw. Cho anstellen wird.

    Greets an @martin_henle, der findet, dass ich sowas öfter machen kann, Bücher halb rezensieren, und @0800_pfingsti, der mich gestern vor einer Woche beim Lesen eines Buches (man sagt zwar Zeitschrift dazu, aber dafür ist mir das Ding zu dick) über Prägnanz überraschte.
    War nice dich mal wieder zu sehen, bro 💪

    #codeAndCanvas #graphicDesign #grafikdesign #learnInPublic #studyInPublic #currentlyReading #designBooks #gestaltung #gläsernesLabor #designbücher

    Source: My Instagram account Mario Breskic

  • Found an image of an LP cover I want to rotate, so that I can see the animation. This is tricky so far, trying to figure out how 33⅓ rounds per minute translates into how man rotations with how many frames per second.

    After I have spent an hour or two on experimentation, I now am looking around for how I can learn to do this properly.

    Also, there is a difference between phenakistiscopes, zoopraxiscopes, zoetropes, and scanimation, which I find neat.

    Adding a few hashtags so I can hook this post up to the open net infrastructure here on Tumblr, as well as adding the following links I will use as reference material until I figure it out

    Create a Faux Zoetrope in Adobe After Effects by ECAbrams on YouTube

    Creating a Phenakistiscope with Adobe After Effects by ECAbrams on YouTube

    I will post the outcome when I am done, and I hope I will surprise you.

    Source: My after‑hours blog on Tumblr Code & Canvas

  • @mariobreskic 🔁:

    Ich meine natürlich diesen Christoph Labacher https://ift.tt/KDkj4WL 😅

    Überlege mir, dass ich etwas ähnliches wie Christoph Labacher auf seiner Website gemacht hat: einfach die Bücher darstellen, die ich gerade lese.

    Ich glaube zwar nicht, dass ich die Buchcover selbst hoste(n darf, rechtlich), aber zumindest wird dabei eine alte Idee von @martin_henle aufgegriffen, dass ich etwas mit meiner Bücherei anstelle.
    Aber ich denke, erstmal lese ich sie.
    Tipp: Creative Code von Maeda. Aber bitte mit Handheld zum Noitizen machen und Personen nachschlagen verwenden! asca

    — @mariobreskic — Tue, 17 Sep 2024 18:10:04 GMT

    Source: My Threads Account Mario Breskic

  • @mariobreskic:

    Überlege mir, dass ich etwas ähnliches wie Christoph Labacher auf seiner Website gemacht hat: einfach die Bücher darstellen, die ich gerade lese.

    Ich glaube zwar nicht, dass ich die Buchcover selbst hoste(n darf, rechtlich), aber zumindest wird dabei eine alte Idee von @martin_henle aufgegriffen, dass ich etwas mit meiner Bücherei anstelle.
    Aber ich denke, erstmal lese ich sie.
    Tipp: Creative Code von Maeda. Aber bitte mit Handheld zum Noitizen machen und Personen nachschlagen verwenden! asca

    Source: My Threads Account Mario Breskic

  • There is a need beneath the need to communicate. I have it. Maybe you have it, too. Maybe, like I was before, your mind has been clogged up by projects never finished but also not abandoned.

    Maybe reading server logs when you are bored is a thing you do, too.

    I realized in ’23 how the thoughts I have are not who I am: they are habits, like how the grooves in licorice pizza interact with the needle. Ever caught yourself in what can be called Verhalten, that is, behavior? Something on repeat, the needle’s arm going back to the start of the record.

    What I realized was, that people are on loops when they check out of communication and interaction. Out of life. You can watch it happening to you best and most easily: which words do you repeat every day? Is there a trigger for them? Which thoughts, whole stories of them come to you every day?

    Thoughts are habits. They are habitual behavior of our minds, big fat neuronal firing patterns wasting your energy and time on something which is just your brain idling, neither creating problems, nor solving them. Just the needle in the groove, just the groove pushing the needle, in a loop.

    And when it ends, along with all of your own thoughts about this firing pattern, maybe you just realized that even the thoughts about the pattern, are all part of the pattern your brain fires on its loops.

    You can do what I did: become bored by the repeat. Demand better thoughts, new one ones, if better is too much to ask for.

    And start a conversation about how you behave during the day, every day, is not who you are. Just a pattern of habits our brains go through when idling.

    I used to be depressed, you see? Now, I don’t care anymore about that. I want to be something else now. And then the new thoughts came.

    I don’t behave anymore. I just do. This is not about philosophy, because philosophy is over. No labels, no genre, either. This is neither fiction, nor its opposite, nor a third thing.

    I can just sit here, and write this down, and you will read it. Something might happen then. Doesn’t have to.

    I don’t miss people. Instead, it became a habit to think of them.

    I don’t work on my past experiences. I just habitually think of and talk about my past.

    If you are bored of this happening on repeat, maybe after a decade of it, maybe more, then it is time to do something more interesting with that licorice pizza. What happens when you don’t let it play out anymore?

    And just so that we are clear on this, choom: all I want is to be myself, not my habits. You wanna be yourself, too?

    Stop believing anything there can be said about you. Especially your own thoughts about yourself, about others. Exist in a context out of context with others, is what I am sayin’.

    Source: My after‑hours blog on Tumblr Code & Canvas

  • Signed up for the Art Nest Academy for their free course, just to get back into my own system, and to see how and where homework overlaps between their and my stuff.

    People spend so much time on showing off their finished work, that the whole scene has this Wunderkind air: everyone practiced, but from what you see, you would never guess.

    Don’t trust the narrative. When I get around to reading and studying my books about talent, I will let you know what that is.

    For now, I will stick to Flow, after Czíkszentmihályi, rather than learning about talent, though.

    Also, having invested in heavy sunblocking curtains was a good idea.

    Source: My after‑hours blog on Tumblr Code & Canvas

  • codeandcanvas:

    I have been kicking around this idea during my graphic design study for a while, since I am nothing but ambitious (and I have a few fond memories of this working before, to my benefit): to actually put in the workload for each topic related to graphic design and applied arts.

    Hi. I am Mario, and I have a bachelor’s degree in graphic design, which, to you, should mean that I passed every test. And, for the sake of this project, it is best to assume that I barely made the cut each time. It is also best to assume that this applies to everyone with a degree, since scoring high grades is not what makes you pass.

    A passing grade does.

    So, right now, I am at the point where I am ready to actually understand graphic design (and my second interest: applied arts), and I was looking for a system, a quantifiable system of work put in, translating into workload, per week, per topic.

    And that system is called ECTS: the European Credit Transfer System

    Each credit in this system translates to roughly 25 hours of workload put in. A topic or lecture is worth 3 credits? That means an investment of 75 hours. 5 credits translate to 125 hours.

    You can use this for yourself, independent of whether or not you actually study a course someplace.

    So, you can go ahead and look online for a course giving you information about its lectures, topics, ECTS credits, and workload, and create your own schedule, at your own pace:

    45 minutes every other day will very quickly beat the eight‑hour long crunches once each week, since a good schedule is about allowing consistency to take hold. I am not an educator (yet, afaik), but from what I remember the issue with these crunch sessions is that the session which came before is already barely present, its learnings vague, my progress a memory.

    So, let us say that you have found a course telling you about its lectures and classes, and how they are set up. Ideally, with information about recommended literature. If you are a polyglot (and who isn’t these days?) you can again enjoy having an edge, for obvious reasons I don’t need to get into.
    You have been shopping around colleges and universities around the EU, and you have found out that which interests you most, is figure drawing.

    And, for the sake of this example, I’ll say that there are three figure drawing classes, called “figure drawing I”, “figure drawing II”, and “figure drawing III” respectively, valued at 5 each. To you, this means a workload of 375 hours for your absolute foundations in figure drawing (5 × 3 × 25).

    Of course, to do this, you also need courses in anatomy (75 hours?), drawing (75 plus 75 hours maybe?), and painting (375 hours?) to have those foundations upon which you can build your figure drawing.

    Provided you build smart (and frequent a good library in the largest city in your area), we are looking at a workload of around 975 hours.

    These are study hours: learning, reading, doing.

    What this translates to in terms of doing 45 minutes of work every other day, is that to get those (I assume solid) foundations in figure drawing, assuming you work 3 hours per week in total, will take you 375 weeks.

    Or 6.25 years.

    This seems slow. And it is. It should be. But the outcome will be the same: a passing grade in figure drawing. For only 45 minutes of work every other day (not counting your trips to the library each time you need a new book to study from).

    Of course, we can look at that the other way as well: if that is the workload anyhow, why not get credits for it? They, at the very least, are proof of what you studied. And because, in our example, we just accumulated around 45 ECTS credits, you might as well have them validated and go study for real, feel me?

    BTW, my graphic design study was 180 of those credits in total, so you just did a quarter of the points needed for completing a bachelor’s degree.

    Huh. This was insightful. For both of us, I hope.

    And I am done with the web stuff, all of it:

    Website works

    Doodads for the website work

    All socials to be kept up to date are in place

    everything is linked up

    Back to study. So let me wipe that table clean and just get back into it. Ad astra!

    Source: My after‑hours blog on Tumblr Code & Canvas

  • @mariobreskic:

    Cool. Right. Back to study. asca

    Source: My Threads Account Mario Breskic

  • @mariobreskic 🔁:

    Actually bookmarking this reply thread asca

    Source: My Threads Account Mario Breskic

  • People sitting on their likes like they will depreceate in value.
    Is it the giving coins to beggars mentality? I am almost sure.
    Or is it about giving a vote to something?

    Me? I give likes left and right, there are bookmarks, hearts, and stars flying out of my finger tips!

    But on something like artstationhq or Cara, I noticed I am the same, sitting on my likes, wanting to send a message instead of vibes: which work by this artist looks like the best work? asca

    And I think I get it:

    Source: My Threads Account Mario Breskic