Ich habe Modularität als Gerüst für Gestaltung wiederentdeckt. Gestaltung wird belebt, indem man Werkzeuge als Module begreift. #asca https://t.co/8JFYXpbePL
Quelle: Twitter
Meine Social‑Media‑Beiträge – offen und ohne Anmeldung
Ich habe Modularität als Gerüst für Gestaltung wiederentdeckt. Gestaltung wird belebt, indem man Werkzeuge als Module begreift. #asca https://t.co/8JFYXpbePL
Quelle: Twitter

I am not only changing the way I practice and read about graphic design, but I am also rethinking the way I work with my software.
After working out my first actual social media schedule (of which this is the christening post) I realized that, despite knowing Photoshop is for raster graphics, Illustrator for vector graphics, and InDesign for composition and layout, I didn’t truly understand what that meant for my workflow.
Then along comes a neat little model by Brad Frost, called Atomic Design.
The files, layer comps, Smart Objects, AI symbols, are just assets. The finished graphic is the whole composition, not the individual pieces. InDesign, in my workflow, is where these pieces get assembled, moved around, viewed together, and iterated upon.
This, I think, is as close to a studio in silico as I dare to imagine.
Up until recently, I would put what I did in Photoshop into a folder called “Photoshop”, give the file a name prefixed by YYYYMMDD, and call it done. Same with all my other programs. Each file existed on its own, with no connection to anything–not a project, not a composition, not a larger purpose.
In a horrifying way, I was just spinning my wheels. I was using programs, but I wasn’t understanding what a finished product was.
So when I look at applying a modular system to my workflow, I no longer see what I export from Photoshop as the final product. Instead, I have assets that live inside a composition. These assets are editable, swappable, and allow iteration beyond simple versioning.
What I actually have in front of me, looks like this:
So, instead of using this logic:
/illustrator
/photoshop
/indesign
I can apply this much more enticing and inspiring structure:
/assets
/raster
/vector
/type
/compositions
/exports
This already looks like a scaffold for a project, not like a graveyard full of files.
Quelle: Code & Canvas
https://t.co/fDM7Pi3NFW
Muß mehr mit meiner sogenannten „Typotastatur“ arbeiten. Die Möglichkeiten sind unglaublich. https://t.co/GB7F8DXwTM
#asca
Quelle: Twitter
Reconnected linkwarden to my browser via extension. I need to store a few links and files about deliberate practice and acquisition of domain expertise.
Currently working out a gamified version of learning and practice using the GURPS rpg and ECTS credits.
Wanna see?
A note here: this is per skill/class, not total ECTS credits, mind
Quelle: Mastodon
https://t.co/26PfVoR32T
Every product is in a broken state. It is up to you to repair it for your own use.
#asca
Quelle: Twitter
#notes #asca I have set up LeechBlock to only give me twenty minutes per day for Social Media in my PC browser, same on my handheld for the Social Media software installed there.
I have also set up AdGuard to use AdGuard DNS Family Protection, so safe mode and safe browsing it is.
At this point, I am basically too busy to say anything on Social Media other than that I am too busy with other things to say anything on Social Media to begin with.
For the beauty! For truth! For real!
Quelle: Mastodon
@ArianeKonzepte #aside #asca wenn ich daran denke, was für einen unbüberwindbaren Filter Web 2.0 für Gen X, Millenials, und Gen Z darstellt, bin ich über jede Ausnahme froh, selbst wenn sie dann auf den Filter #KI prallt. Manche kommen auch da durch. Wichtig scheint hier die Autonomie
Quelle: Twitter
https://t.co/ZumjAjrApA
2025 feels like a real year again, do you feel it too?
#asca
Quelle: Twitter